Adam Salsman [dot] com

I’ll just start off by making a bold statement:

While not being the best of 2007, Kate Nash’s Made of Bricks is most assuredly my favourite and will be so for years to come.

There, I said it.

Take Lily Allen. Please. (Couldn’t resist). Seriously, take Lily Allen, take out some of the attitude and fill it with cute. Take Lily Allen, and add some hotness. Take Lily Allen and make her more awesome. Yes, *more* awesome. And that is Kate Nash.

The album is 12 tracks (well, 13, really, but it’s a SECRET) coming in at 56 minutes. So far so good.

Bricks, sadly starts off on an odd, and perhaps jarring, foot with Play, which is just lots of distorted drum machines and Nash “singing” “I like to play.” It’s not so much bad as, arguably, setting the tone of the album wrong. After that “tune,” however, the album just keeps climbing.

To be honest, with the exception of “Play,” I love the whole damned album. Foundations, Dickhead, Mariella, and Skeleton Song are super favourites in an album of favourites.

In the end: Did you like Lily Allen? You’ll love Kate Nash. Were you iffy on Lily Allen? You’ll love Kate Nash? Did you hate Lily Allen? You might like Kate Nash.

Technorati Tagged: Kate Nash | 2007 | Brit-Pop | Best Of

I’ve been listening to the last 3 albums of Joe Strummer & the Mescalaros, and I can say, with a level of certainty, that they were working toward perfection. The first of the 3 albums, Rock Art & the X-Ray Style I found difficult to get through, and even boring at points, while Streetcore may be close to musical perfection. Sandwiched in between those two albums is Global A Go-Go.

To be honest, I may not have even taken notice of this fairly average album if it weren’t for HBO’s John From Cincinnati and it’s opening theme, which is the first track off this disc, Johnny Appleseed. Which, to be honest, I adore equally for it being a great song and being associated with a great show.

The rest of the album proceeds along with more hits than misses, but those hits are mediocre at best.

Of the 11 tracks (coming in at 73 minutes), Johnny Appleseed, Cool ‘n’ Out, Bhindi Bhagee, and Mega Bottle Ride are the ones that really seem to reach a little higher; seem to want to aspire to more. And, they mostly do.

The last track, Minstrel Boy, is what pushes this album WELL over the hour mark, by being a mostly instrumental composed of drums (of the marching variety) and stringed instruments (sounding mostly in the violin/fiddle area). It’s a beautiful song, but I feel like it doesn’t do much to end cap the record.

In the end: Fans of the Clash will want to continue to follow Strummer’s career, to his penultimate album; fans of Streetcore may be a little let down, but may still get some enjoyment; fans of John from Cincinnati will check in to see what the rest of the album is about.

Technorati Tagged: Joe Strummer | 2001 | Rock | The Clash

People bash on the internet. They really do. But if it weren’t for the intertubes, I would never have found my latest musical crush, Ms. Sara Bareilles.

I don’t really know much about her, to be honest. I’ve been busy, I’ve been lazy, and I just haven’t done my research, shame on me.

All that being said, she’s amazing. A sweet voice, piano-driven music, with jazz, blues, and folk influences. She’s not reinventing the wheel, she’s not blowing us away with some amazing new thing. Sara Bareilles is just enjoyable, delicious pop/rock music.

Did I mention she’s cute? Yeah, there’s that too.

Before the accolades-o’-plenty, there’s one thing that disappoints: The album, all 12 tracks, come in under 50 minutes. Selfishly, at 12 tracks, I have expectations of 55 - 60 minutes.

Anywho, on to the good stuff: The album, all 12 tracks, are fun, playful, easy on the ears, and make you pray you could have one evening with Ms. Bareilles (Dinner only! Not even all that other stuff).

Of the dozen offerings, Love Song, Love on the Rocks, Bottle It Up, and Many the Miles are my favorites. That jazzy/pop style that Norah Jones brought back to mainstream, but in a sleepy way, Sara brings with a pop kick.

In the end: It’s a solid, if short, offering in the “best of 2007″ list of my heart. Not too sweet, not too serious, just good music. And, hell, I even pick up distinct flavourings of Bonnie Raitt. So, you know, that can’t be bad.

Technorati Tagged: Sara Bareilles | 2007 | Pop Rock | Best Of